RSO’s WE FOXES will receive three developmental opportunities this fall: a staged concert reading in Michigan, a concert reading in London, and culminating in the first fully-produced developmental production in Utah.

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September 22-24 at Michigan State University

MSU College of Arts and Letters’ Department of Theatre and MSUFCU Institute for Arts & Creativity at Wharton Center presents a staged concert reading of WE FOXES, directed by Marshall Pailet (Triassic Parq, Claudio Quest, Baghdaddy) and with dramaturg Matthew Schneider, accompanied by a five-piece band.

Special guest KATIE THOMPSON reprises her role as Vesta alongside special guest WADE McCOLLUM as Sheriff Quimby.


Friday, September 22, 2017 at 7:30pm
Sunday, September 24, 2017 at 2:00pm

Tickets are available from the Wharton Center Box Office, 1.800.WHARTON, whartoncenter.com

Get more info on the MSU presentation here.




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We Foxes comes to Live at Zédel this September in a one-night-only concert reading.

This production coincides with the production of Ryan’s 35mm: Musical Exhibition at The Other Palace.


Cast will be announced shortly.  For more information, click here.









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We Foxes will be presented in its first fully-produced form on Oct. 6-7 and 10-14 at 7:30 p.m. with a matinee performance on Oct. 14 at 2 p.m.  The production is directed by Cody Walker.

Find out more here.




It’s been quite a year for RSO!  Look back at all that’s been done……


RSO opened Lincoln Center’s acclaimed American Songbook series with a free concert on Tuesday, January 19th in the David Rubenstein Atrium.  RSO was joined by Kerstin Anderson, Nick Blaemire, Ben Crawford, Jason Gotay, John-Michael Lyles, Julia Mattison, Derek Klena, Lindsay Mendez, Katie Thompson, Betsy Wolfe, and more!  For the third year, through Lincoln Center’s partnership with PGIM, the global investment management business of Prudential Financial, Songbook’s “Invest in the Future of American Song,” gave members of the public the opportunity to select the artist to open the Songbook season with a free concert at the Atrium. RSO received the most votes, earning him the opening spot on January 19.


On March 14, RSO returned to Feinstein’s/54 Below with a concert show featuring the music of ‘WE FOXES’ and ‘ROPE’.  The evening featured talents of many familiar faces, including vocal powerhouse Katie Thompson (Giant), Jay Armstrong John (On the Town), Nic Rouleau (Book of Mormon), Alex Wyse (Spring Awakening), Kerstin Anderson (The Sound of Music), and F. Michael Haynie (Wicked, Dogfight). ‘WE FOXES’ is a musical tale of salvation in the face of murderous manipulation set in small-town Missouri, 1945.  Set against the Civil War, ‘ROPE’ explores the bonds of brotherhood when a blind boy, Shy, becomes tied to the gang-thief, Clay, and they embark on a quest through war-torn America.


On April 14, RSO joined Duncan Sheik, Marc Shaiman and other all-star artists in a concert to celebrate Sh-k-Boom Record’s 16th birthday at Symphony Space’s ‘Leonard Nimony Thalia.’  The music portrayed at the event spanned the spectrum of contemporary and classic theater talent that has earned ShK-Boom records three Grammy awards, twelve Grammy nominations, and a Drama Desk “Special Award.”  Among these was RSO’S ‘35 MM.’  The show was represented at the concert with Grace McLean singing “The Ballad of Sara Berry” with Ethan Carlson, Mary Claire Miskell, David Park, and John-Michael Lyles.


RSO’s ‘JASPER IN DEADLAND’ (with a book by Hunter Foster) released a cast album on May 20.  The album was distributed by Sh-K-Boom Records, and featured Matt Doyle as the title character.  Sydney Shepherd, Louis Hobson, Andi Alhadeff, Brandi Massey, Bonnie Milligan, F. Michael Haynie, John-Michael Lyles and Kyle Carter rounded out the nine-person cast on the album.  The album was produced by RSO and John Clancy (orchestrator), with Nessie Nankivell, Kailey Marshall, and Solomon Hoffman as associate producers.  You can purchase the album on iTunes, Spotify, and Amazon.  

Jasper in Deadland tells the story of 16-year-old Jasper, who journeys into the Afterlife to rescue his recently deceased best friend, Agnes.  But in this version of the hereafter – known as “Deadland,” a hybrid of mythology, religion, and superstition – the dead forget Life…  And so, too, will Jasper, if he can’t get past the seven circles of Deadland, fearsome Cerberus, heavenly Beatrix, mysterious Mr. Lethe, and ultimately himself.  Can Jasper bring his best friend back from the dead, or will he join the dead forever?


RSO’s ‘WE FOXES’ was among the five new musicals brought to life at the Village Theatre’s Festival of New Musicals.  Through the creative collaboration of nearly 75 artists and writers, performed and directed by the region’s foremost theatre professionals and guest artists from across the country, it will be the first Festival of New Musicals led by newly appointed Associate Artistic Director, Brandon Ivie.  Other new musicals of the festival included ‘COSTS OF LIVING’ (book, music, and lyrics by Timothy Huang), ‘HOW TO BREAK’ (book and lyrics by Aaron Gaffers), ‘STRING’ (book by Sarah Hammond, music and lyrics by Adam Gwon), ‘WRITING KEVIN TAYLOR’ (music and lyrics by Will Van Dyke, book and lyrics by Josh Halloway).


On August 29, the dynamic duo was reunited as RSO and Drama Desk nominated actress Lindsay Mendez (Significant Other, Dogfight, Wicked, Godspell) presented ‘MUSE & THE MUSIC’ at SubCulture in NYC.  The evening featured popular collaborations, never-before-heard songs, mash-ups, stories, and a little gossip.  The evening was music directed by Rodney Rush and featured a six-piece band.  


On September 19, a concert presentation of ‘DARLING’ was put on by RSO and friends at Le Poisson Rouge in New York.  ‘DARLING’ was the first musical recorded for The Score, a podcast series focused on new musicals created and produced by Michael Kimmel, John DeLore and Allison Bressi.  The evening featured Kerstin Anderson, Ethan Carlson, Chris D’Amico, Jeff Heimbrock, John-Michael Lyles, Jackson Perrin, Daniel Quadrino, Daniel Yearwood, Talya Groves, Gerianne Perez, Catherine Ricafort, Emily Rogers, and P.J. Griffith.  The concert evening featured musical direction by Rodney Bush and a seven-piece orchestra. Orchestrations were by Oliver, with additional orchestrations by Solomon Hoffman and Ryan Fielding Garrett. Fernanda Douglas served as music assistant.  Nessie Nankivell served as Associate Producer, Ari Raskin as additional Producer, Stephen Ravet was the Stage Manager and Kaleb Tank the Associate Director.


‘35 MM: A MUSICAL EXHIBITION,’ was presented by students at Harvard University in October.  In preparation for the show, RSO and original cast member Lindsay Mendez ventured from New York to Cambridge, MA to work with Harvard’s ‘35 MM’ production team.  The duo presented two master classes which were presented by Learning From Performers, a program of the Office for the Arts at Harvard.  The first master class, a seminar led by RSO, focused on creativity in art-making.  The second master class, a workshop led by RSO and Mendez, allowed students to perform and receive feedback.  This workshop was modeled after Oliver and Mendez’s Actor’s Therapy program.


On November 5, a concert performance of ‘35 MM’ was presented at the TimesCenter in Manhattan as a part of Prospect Theater Company’s 2016 IGNITE Series.  The evening featured original cast member Lindsay Mendez, Drama Desk Award winner and two-time Tony Award nominee Mary Testsa, Joe Iconis, Lauren Marcus, Ali Stroker, Andi Alhadeff, Susan Blackwell, Ally Bonino, Noel Carey, Max Chernin, Dan DeLuca, John-Michael Lyles, Julia Mattison, Chris McCarrell, Andrea Ross, and more.  The evening also featured a mixed choir of collegiate performers from Marymount Manhattan College, the NYU Steinhardt Vocal Performance program, Pace University, Rider University, and Wagner College.  This presentation was directed by RSO and music directed by Joshua Zecher-Ross.  The performers were backed by an ensemble of six musicians.  Vocal arrangements and orchestrations were done by Oliver with additional percussion arrangements by Jeremy Yaddaw and additional guitar arrangements by Matt Hinkley.  


On November 21, RSO returned to Los Angeles with a concert at Rockwood in Hollywood.  The evening showcased selections from RSO’s numerous works including ‘MRS. SHARP,’ ‘DARLING,’ ‘35 MM,’ ‘JASPER IN DEADLAND,’ ‘WE FOXES,’ ‘OUT OF MY HEAD,’ and more.  Bringing the material to life was an all-star group of performers consisting of Kerstin Anderson, Jason Michael Snow, Eric Krop, Ben Davis, Jared Gertner, Deborah S. Craig, Carly Jibson, Andrew Samonsky, Kate Reinders, Anna Grace Barlow, Chris Meissner, Kate Pazakis, Katherine Washington, and others.  


2016 has been full of excitement, endeavors both familiar and unknown, and incredible people, collaborators, and audiences.  We thank you for being a part of it all.  Stay tuned to see what’s in store for 2017!

RSO Returns to LA at Rockwell in Hollywood 11/21

From BroadwayWorld.com:

On November 21, acclaimed composer-lyricist Ryan Scott Oliver will return to Los Angeles with a concert at Rockwood in Hollywood. Show time is at 8:00pm.

Featured that evening will be: Kerstin Anderson(The Sound of Music National Tour), Jason Michael Snow (The Spongebob Musical, The Book of Mormon), Eric Krop (Godspell), Ben Davis (The Sound of Music National Tour), Jared Gertner(The Book of Mormon), Deborah S. Craig (25th Annual…Spelling Bee), Carly Jibson (Fat Camp, Cry-Baby), Andrew Samonsky (The Mystery of Edwin Drood), Kate Reinders (Something Rotten!), Anna Grace Barlow (Scream Queens), Chris Meissner (Grease Live!), Kate Pazakis (The Best Little Whorehouse in Texas), Katherine Washington, plus more to be announced – and the composer himself.

Attendees can expect to hear selections from RSO’s numerous musicals including Mrs. Sharp, Darling, 35mm: A Musical Exhibition, Jasper in Deadland, We Foxes, Rope, Out of My Head and many more. Emily Clark and the Unknown Artists will co-produce, and Rodney Bush will music direct the 5-piece band.

Oliver was called “the future of Broadway… a major new voice in musical theatre” (Entertainment Weekly) and is “shaking up musical theater with his dark, twisted and genius work … [Oliver] could very well be musical theater’s answer to an auteur filmmaker or a gothic novelist” (Huffington Post). He is the winner of a Larson Grant, Rodgers Award, ASCAP Harold Adamson Award, New Musicals Awards from Weston Playhouse, Pace University, and Lortel Award Nomination. He wrote the music and lyrics for Jasper in Deadland (premiered off-Broadway and remounted at Seattle’s 5th Avenue Theatre), 35mm: A Musical Exhibition (licensed by Samuel French, original cast recording avail. on Ghostlight Records), Darling, Mrs. Sharp, Out of My Head, and more. He is currently at work on a trilogy of new musicals beginning with We Foxes and continuing with Rope and Three Points of Contact, both currently in progress. More info can be found at ryanscottoliver.com, and his morbidly optimistic musings can be followed at @ryanscottoliver.

Rockwell Table & Stage is located at 1714 N. Vermont Ave. Tickets are on sale for $20/$30/$40 at Rockwell-la.com.

‘WE FOXES’ to be performed at Village Theatre’s Festival of New Musicals

This year, We Foxes by Ryan Scott Oliver will be among the five new musicals brought to life at the Village Theatre‘s Festival of New Musicals.  Through the creative collaboration of nearly 75 artists and writers, performed and directed by the region’s foremost theatre professionals and guest artists from across the country, it will be the first Festival of New Musicals led by newly appointed Associate Artistic Director Brandon Ivie.

The Festival of New Musicals provides an essential platform for writers to incorporate a key component of Live Theatre: the audience. Each new musical will be rehearsed throughout the week, then presented to the Festival’s audience in staged reading format, fully sung using scripts. Though readings are not open to the general public, audiences are partly comprised of Village Originals members who are asked to participate in moderated talkbacks and provide written feedback and constructive critiques of the work, thereby becoming an integral part of the developmental process.

Village Theatre will welcome to Issaquah the critically-acclaimed musical theatre writers at the helm of the new works, who will convene from across the country for the three-day event. “I’m so pleased with the five shows we will have in residence for the festival,” says Festival Producer and Associate Artistic Director Brandon Ivie. “While all are at different stages in their development and vastly varied in style, these writers are all incredibly sophisticated with exceedingly unique voices, and are an inspiring testament to the future of the American Musical.”

RSO’s WE FOXES takes place in the small town of Havoc, Missouri at the onset of World War II.  A tough, unmannered orphan girl is plucked up from her vagabond life and adopted into a world of style and social graces by the beloved wife of the local sheriff. But in her new, unfamiliar life, she begins to discover that there are sinister secrets beneath the shiny veneer of this small town. Her adopted mother is not who she seems to be, and people are lurking in the dark. This gothic musical thriller follows one girl’s struggle to summon courage and survive at all costs.

Other new musicals of the festival include COSTS OF LIVING (Book, Music, and Lyrics by Timothy Huang), HOW TO BREAK (Book and Lyrics by Aaron Gaffers), STRING (Book by Sarah Hammond, Music and Lyrics by Adam Gwon), WRITING Kevin Taylor (Music and Lyrics by Will Van Dyke, Book and Lyrics by Josh Halloway).


From We Foxes in Concert at 54 Below (Video 8 of 8)

Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.

Video/Graphics by Nessie Nankivell

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