“MAP OF SCARS” from WE FOXES
From We Foxes in Concert at 54 Below (Video 4 of 8)
Performed by KERSTIN ANDERSON
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“ALL MEN ARE TIED TOGETHER” from ROPE
From Rope in Concert at 54 Below (3 of 8)
Performed by MAURICE MURPHY with IAN FAIRLEE, MARY CLAIRE MISKELL, DAVID PARK and DANIEL YEARWOOD
Along the journey, Daniel, the man who practically raised Shy, offers Shy and Clay a final sermon that despite their differences, in this life all men must bond together, for only then, may true brotherhood be found.
“MY LASS, SHE TIED HER LACE TO ME” from ROPE
From Rope in Concert at 54 Below (4 of 8)
Performed by CORY JEACOMA, IAN FAIRLEE, DAVID PARK and DANIEL YEARWOOD
The pivotal moment when Clay chooses to tie to Shy, giving his friend sight. The onstage band of storytellers, The Daybreak Boys, blesses their union with a song.
“CITY OF ANGELS” from WE FOXES
From We Foxes in Concert at 54 Below (Video 6 of 8)
Performed by NIC ROULEAU
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“THE STRANGER” from ROPE
From Rope in Concert at 54 Below (1 of 8)
Performed by ETHAN CARLSON, CORY JEACOMA with IAN FAIRLEE, MARY CLAIRE MISKELL, DAVID PARK and DANIEL YEARWOOD
America, during the Civil War, 1864. They are an unlikely pair: Clay, a gang-thief determined to find life’s fortune alone; and Szajda (“Shy”), a ghostly Jew with an Irish accent, blind but possessing a remarkable power. Yet they become tied at the waist with a length of rope, stuck together on a desperate quest through a Civil war-torn America. As their journey begins, each boy struggles to understand the stranger beside him.
“THE MAD DOG” from WE FOXES
From We Foxes in Concert at 54 Below (Video 7 of 8)
Performed by KERSTIN ANDERSON
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“WHAT YA CALL FREEDOM” from ROPE
From Rope in Concert at 54 Below (6 of 8)
Performed by MARY CLAIRE MISKELL
Later in the story, Shy meets his long lost sister, Stefa, who has an affinity for dressing up in boys clothes. Stefa’s best friend is the slave Reggie, and she dreams of a world where her mother will free Reggie and all the slaves, and maybe even Stefa can find her own sort of freedom.
“WE FOXES” from WE FOXES
From We Foxes in Concert at 54 Below (Video 8 of 8)
Performed by KERSTIN ANDERSON and NIC ROULEAU
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“I HAVE SEEN THE AFTER” from ROPE
From Rope in Concert at 54 Below (2 of 8)
Performed by ETHAN CARLSON, CORY JEACOMA with IAN FAIRLEE, MARY CLAIRE MISKELL, DAVID PARK and DANIEL YEARWOOD
America, during the Civil War, 1864. They are an unlikely pair: Clay, a gang-thief determined to find life’s fortune alone; and Szajda (“Shy”), a ghostly Jew with an Irish accent, blind but possessing a remarkable power. Yet they become tied at the waist with a length of rope, stuck together on a desperate quest through a Civil war-torn America. As their journey begins, each boy struggles to understand the stranger beside him.
“THERE’S A TRAIN A-COMIN” from WE FOXES
From We Foxes in Concert at 54 Below (Video 5 of 8)
Performed by F. MICHAEL HAYNIE, KERSTIN ANDERSON, KATIE THOMPSON
And WILL ERAT, CORY JEACOMA, JOHN-MICHAL LYLES, ANDI ALHADEFF, VICTORIA HUSTON-ELM
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“I GO ON WITH YOU” from ROPE
From Rope in Concert at 54 Below (5 of 8)
Performed by CHARLIE FRANKLIN and MATTHEW MCFARLAND
Clay vows to get Shy home to Virginia, escaping the vicious gangs of New York and pushing a path into the heart of the Civil War. Yet with all the danger ahead of them, Clay and Shy vow to journey together come what may.
“ALWAYS LOVE” from ROPE
From Rope in Concert at 54 Below (7 of 8)
Performed by ALEX WYSE & ALEX BONIELLO
At the climax of their journey, loyalties are tested and sacrifices must be made. In a cold world where brother must fight brother, Clay and Shy dream of a future together, lifelong companions and brothers forever.
“DARKNESS” from ROPE
From Rope in Concert at 54 Below (8 of 8)
Performed by CLAYBOURNE ELDER
The conclusion of the story sees one of the boys sacrificing his own life for the other. The surviving boy must take the broken, frayed rope, and understand how to move on, alone. He takes the rope in hand and ties it around himself, the two souls becoming one in an eternal embrace.
“THEM BEASTS” from WE FOXES
From We Foxes in Concert at 54 Below (Video 3 of 8)
Performed by KATIE THOMPSON
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“THE ROAD EVERLASTING” from WE FOXES
From We Foxes in Concert at 54 Below (Video 1 of 8)
Performed by F. MICHAEL HAYNIE, KERSTIN ANDERSON, KATIE THOMPSON
And WILL ERAT, CORY JEACOMA, JOHN-MICHAL LYLES, ANDI ALHADEFF, VICTORIA HUSTON-ELM
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
“SORROW DONE” from WE FOXES
From We Foxes in Concert at 54 Below (Video 2 of 8)
Performed by KERSTIN ANDERSON
Sheriff Quimby and his beloved wife Vesta are dead. The town learns that their adopted daughter, Willa, is responsible. One tramp, Mr. Sallow, is asked to tell what he knows about the orphan girl Willa. Four years earlier, Willa, a young teenager, lives the tramp life on the road with her brother, George. But George is hauled away to war, leaving Willa without a soul in this world to guide her. Vesta Quimby adopts Willa, indoctrinating her into a glamorous world of privilege and class. Yet that isn’t Willa; Willa comes from road people, and once her brother returns from the war, she’ll have her real family again.
On Tuesday, October 27th 2015, RSO performed the premiere of a new song at Lincoln Center Originals: Songwriters. Check out the full video over on Broadway World and read the lyrics below:
“NEW PICTURES”
Matthew always dreamed of dancing with ABT…
That is, of course, American Ballet Theatre.
(Which I thought it was a college because I’m dumb.)
He’d studied since a kid, and worked his ass off,
And then it happened. It ALL happened.
He had this picture in his head
Of dancing at the Met.
And by seventeen he’d joined that scene
In tights and T-shirt stained with sweat.
Building stacks of broken shoes,
Every day a brand new bruise,
A life’s goal attained so fast!
But what’s a dream to do
When it’s finished coming true?
The picture of his life didn’t — couldn’t last.
Cuz the picture in your head
Never ends like you expect.
And four years in, room starts to spin,
He stayed home sick, his body wrecked.
Sure, he thought, a minor bug,
But after weeks, and still a slug,
The docs called it Epstein-Barre.
Goodbye the dreams of ballet star…
Goodbye … goodbye …
He was lost. Everything he worked for,
Gone!
All the pieces smashed asunder,
Left eighteen months to wonder
What would he do now?
What would he do now?
With his picture just a shred,
He was jobless, with no hope.
But that wasn’t him, and so on a whim
He bought a camera, just to cope.
Slow at first, but then some speed —
He knew the passion it took to feed
A skill, whether dance or art —
He knew how much time, how much heart —
He was found. Suddenly the work came
Fast!
Putting pieces in position,
Reigniting old ambition,
He was an artist once again and how!
And now —
We have a picture by our bed
Of him dancing at the Met.
Now he shoots the shows, and Broadway knows
He’s the go-to-guy, good as they get.
He taught me life may change your art,
But it can never change your heart.
The real test, he came to see:
The picture of a dream can fade…
But the point is, new pictures get made.
He made new art
With his new life with me.
San Diego State University is finishing its season with the world premiere of Ryan Scott Oliver’s new musical, Tomorrow, the Island Dies. The work performs at the California institution May 1-6, with Stephen Brotebeck at the helm.
The dystopian, original story is set on an island off the coast of Maine facing imminent destruction in the face of the climate crisis. A mysterious death leads to finger pointing between those still left alive.
“I’m interested in the ways people respond to crisis—how they seek order, how they define virtue, and how quickly certainty can become destabilizing,” says Oliver in a statement. “The piece asks what happens when our desire for clarity overtakes our capacity for compassion.”
The work has been developed in the last two years via SDSU’s New Musical Initiative. Press notes describe the score as drawing on influences “ranging from Sweeney Todd to Benjamin Britten’s Peter Grimes.”
Cast and creatives for the production included:
Widow Clack, the lighthouse keeper: Rebecca Murillo Benji Clack, her brother: Ian Bartlett Kathryn, the government: Savannah Comer Jacob, the law: Nole Jones Ephraim, the church: Jansen Espares Wyatt, sanitation: Quetzal Alcaraz Mckenzy, sanitation: Katie Emily Shauna, the shop: Ajay Junious Shelly, the shop: Janeth Shayo Porter, the docks: Anthony Methvin Nadine, the hospital: Ashley Roche Bree, the school: Isabel Wirz Ms. Kelly, the outcast: Courtney Corey Ensemble: Kassidy King, Mackayla Olivas, Avery Henkenius, Jordan Davenport, Bobby Bednar, Shane Mullinix, David Lamb (swings: Callen Kraus, Valentina D’auria)
Scenic Design: Lauren Richards Costume Design: Kelan Yang Lighting Design: Mary Ashley Fulton Sound Design: Paul Peterson Dramaturgs: David Limon, Nitalia Wilson Production Stage Manager: Aden Carlson Asst. director: Brett Puppilo
On May 4, 2026, Prospect Musicals held its 2026 Gala to honor extraordinary members of the theater community through the fourth annual Muse Awards:
Tony Award-winning theatrical producer Ken Davenport;
Tony Award-winning actor and theatrical producer LaChanze;
Tony Award-winning actor Lindsay Mendez and Kleban Prize-winning writer Ryan Scott Oliver, co-founders of Actor Therapy;
and Pulitzer Prize-winning journalist, Emmy-nominated filmmaker, and Tony-nominated theatrical producer Jose Antonio Vargas.
“The Prospect Muse Award exists to honor leaders who inspire Prospect’s artists through their positive and profound contributions within the theater community and the world at large. This year’s honorees have advocated for inclusive communities, encouraged diverse and nuanced storytelling, and developed and mentored the next generation of theater-makers.”
RSO’s latest musical Tomorrow, the Island Dies has been named the winner for two theatre development residencies.
At San Diego State University, Tomorrow will receive a reading early this fall, followed by a workshop in spring 2025, and will culminate in a fully-realized production on the Mainstage in spring 2026. Read more about SDSU’s program here.
Northwestern’s American Musical Theatre Project (AMTP) will also develop Tomorrow this spring with a full NYC creative team. Check out AMTP’s program here as well as its previous productions.
On June 10 at Classic Stage Company, RSO and frequent collaborator Kirsten Guenther wrote a musical short, Alexa, Delete Our Relationship starring Natalie Walker, Leigh Ann Larkin, Julia Nightingale, and Jonathan Judge-Russo, directed by Kareem Fahmy.
The marathon process for The 24 Hour Musicals begins the night before the performance, when writers, composers, directors, choreographers, actors, musicians and production staff gather for a short orientation. Four writer and composer teams craft short musicals overnight (while actors and directors get some rest) and the next morning — after a furious printing and copying process — actors receive their scripts. Together with directors, choreographers and a live band, they begin rehearsal. Later that night, four brand new musicals take the stage in a one-night-only production!
